What is the difference between mozart and bach

While death was an ever-present and painful reality, it was also the portal to eternal life; in his compositions, Bach strove for music that both represented and celebrated a divinely ordered universe, one whose aesthetic beauty encompassed and surpassed the painful vicissitudes of human existence. New compositional methods heralded the Classical music period of the Age of Enlightenment. The sonata form, invented at this time and perfected by Mozart, was its ideal expression. The emphasis was on drama and contrast within each movement through the introduction of multiple themes and rhythms, dynamic changes and discontinuities, and an emphasis on development of the musical elements.

Together with the primacy of melody and solo voices, these changes gave composers new tools for the creation of dramatic effects and musical dialogues.

Music had to appeal to the many, and this required melodies, rhythms, and harmonic structures that were pleasing even to the less-educated ear. Salzburg, his birthplace, was a cosmopolitan town, and nearby Vienna throbbed with novel fashions and rapidly evolving arts. His identity was forged within his small family: his mother, father, and older sister Anna Maria, also a musical prodigy and his closest companion. His father, a well-known musician and teacher and a composer in his own right, supported the family by showcasing his gifted children.

Mozart and his sister grew up travelling through the courts of Europe, performing as keyboard prodigies. Mozart became an independent musical entrepreneur dependent upon pleasing patrons and audiences rather than the Church and crown. His was the financially insecure life typically led by so many professional musicians, before and since. He was far less dependent on the styles of the religious collective than Bach was and freer to indulge his passion for the dramatic, particularly with opera.

Although Mozart died at such an early age, he composed a large body of masterworks in all genres. Befitting the preferences of his time, he was a great melodist and was partial to the human voice; even his instrumental compositions highlighted the melodic line.

His Requiem is redolent with melodies, and its arias not only carry its emotional center but interweave with the chorus, a technique he originated and developed for sacred works as he pursued his operatic style. They can be used for audio effects sometimes they call them 'plugins'. This is then followed by the original chord. This feature is present in sections B and C.

On the surface of these two pieces their main structures seem to be very different in the number of sections and the length if each. However, the similar properties include the repetition of sections and the layout of the structure.

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Create one now! Already have an account? Log in now! JavaScript seem to be disabled in your browser. You must have JavaScript enabled in your browser to utilize the functionality of this website. Join over 1. Page 1. Save View my saved documents Submit similar document. Share this Facebook. Comparing and Contrasting the life and works of Bach and Mozart. Extracts from this document Conclusion This happens many times throughout the piece, for example in bar 50, page The above preview is unformatted text.

Found what you're looking for? Not the one? Search for your essay title Handels Messiah Background information for set work 3 star s. The 2 areas of study I chose to focus on in my piece were Autobiography - creative writing.

Music Appraisal - Classical Waltzes This is then followed by the original chord. See more essays. When I get the time and opportunity, I will make another five and deliver them to Baron van Suiten; because I have to say, he really owns, while admittedly very small in quantity, but in regard to quality, a very great treasure of good music.

And therefore, I ask you to promise me not to take back your promise, and let no man see them. Learn them by heart and play them. A fugue is not so easy to play after only hearing it. The harmonic surprises and descending chromaticism in this passage might remind you more of Liszt than Mozart. Here is another piece which seems to be looking ahead towards Romanticism. The musicologist Robert D.

Levin describes the opening Adagio this way:. Angular outbursts alternate with an unearthly hush; its suggestions of violence and mysticism make the ensuing geometry of the fugue seem a relief. The influence of J. Thomas Church. Mozart played without previous announcement and without compensation on the organ of the church of St.

He played beautifully and artistically before a large audience for about an hour….