When was battlestar galactica created




















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Watch options. Storyline Edit. The second war against the Cylons is over, and The Twelve Colonies have been destroyed. Now Commander Adama of the Battlestar Galatica and President Laura Roslin lead a ragtag fleet of refugees in a supposed search for the fabled lost thirteenth colony, Earth. However, the dangers they face are many, which compound an already difficult situation.

In addition to the Cylons hunting and attacking the fleet in space and their infiltrator units carrying out sabotage--even as their former unwitting pawn, Gaius Baltar, helps in the hunt for them while hiding both his own guilt and the strange presence that haunts his every thought--the fleet also faces internal political conflict in which the rabble-rousing figure Tom Zarek is merely the loudest dissenting voice, not to mention recurring shortages of food, water, and even oxygen.

In the midst of these trials, however, clues begin to appear to suggest that Adama's bluff about finding Earth might hold more truth than anyone could have guessed. The fight to save humanity rages on. Action Adventure Drama Sci-Fi. Did you know Edit. Trivia The phrase "so say we all", which is used as a ceremonial affirmation in the series, was ad-libbed by Edward James Olmos in a speech given by Commander Adama in the mini-series.

Goofs The colony called Sagittarion in the miniseries is called Sagittaron throughout the series. Quotes Commander William Adama : There's a reason you separate military and the police. Alternate versions For the first season, the British and American versions had different opening credit themes, and in certain American-version episodes, the episode title was shown after the previous episode's recap while in the British version it was not.

American science fiction films from the s, for example, often dealt with the effects of atomic power while the first Star Trek television series and some of the films that followed provided a commentary on the Cold War. The original Battlestar Galactica began in the late s and was clearly designed to capitalize on the popularity of Star Wars. It was not an immense success and was soon cancelled. In the years that followed, a number of people toyed with the idea of reviving it since it had developed a cult following.

In the end, the new version kept the basic plot but otherwise totally reimagined the story. It is the contention of this paper that many of these differences relate to changes in American society and history. The new Battlestar Galactica began as a project in , was delayed because of the 11 September terrorist attacks and aired on television from until Its existence thus runs parallel to much of the global war on terror and, in particular, to the Iraq War.

Furthermore, the subject matter of the series — it begins with a devastating terrorist attack and continues with a horrible war that includes suicide bombings, religious conflicts and torture — clearly resemble events of this time. The purpose of this paper is to examine the series not from the perspective of art but from that of history.

How does Battlestar Galactica reflect the tensions of its time? As current events changed, did the series evolve in different directions and reflect these changes? The highly fictionalized genre of science fiction can be a profound source of commentary on the real world.

Anxieties of the time can be projected into the future or on an alien civilization and then exaggerated in order to give a warning. As a mirror of the hopes and fears of society, it displaces the political and social issues of its time to a different plane and reflects them back.

For example, we see an America worried by the possibility of invasion, nuclear war and the threat of radiation in the science fiction of the s. This trend continued in the following decades although the relatively non-violent collapse of communism did provide a real trace of hope. Much of this evaporated, though, after the terrorist attacks of 11 September and the events which followed — notably the invasions of Afghanistan and, in particular, of Iraq.

One can find echoes of these in many places but, undeniably, the second Battlestar Galactica series provides a remarkable and highly critical commentary on these developments. The series began far from Earth in the Twelve Colonies where we witnessed their destruction by the Cylons, robot invaders. The spaceship Battlestar Galactica, containing most of the few survivors, began a long search for the legendary 13 th Colony, known as Earth.

Here was a neat inversion of the traditional science fiction adventure format of explorers leaving our planet in order to discover the universe. However, the show clearly glorified the military and even exhibited fascist tendencies — not entirely in keeping with the mood of those post-Vietnam years 2.

It was not a great success and was soon cancelled. In the years that followed, a number of people toyed with the idea of reviving it since a cult had developed after the first show. They would become the dominant figures in the 21 st century series. The new Battlestar Galactica aired on television from until Its existence, thus, runs parallel to much of the Global War on Terror and, in particular, to the Iraq War. Furthermore, the subject matter of the series — it begins with a devastating terrorist attack and continues with a horrible war that includes suicide bombings, religious conflicts and torture — clearly resemble contemporary events.

The creators — David Eicks and Ronald Moore had been political science majors in college — readily acknowledged this.

Newsweek commented:. An orchestrated terrorist attack. An inexorable march to war. An enemy capable of disappearing among its targets, armed with an indifference to its own mortality. For example, C. As these comments show, the political viewpoint was clearly very different from the earlier series — a fact which upset some of the right-wing fans of the original Battlestar 8. Rather, it has a plot and atmosphere that force the characters into situations that resemble those experienced by Americans in this period.

Let us look in detail at the commentary the series provides on the Global War on Terror. At this point he pauses and puts the speech aside.

Each of these struggles for freedom required great sacrifice. From the beaches of Normandy to the snows of Korea, courageous Americans gave their lives so others could live in freedom. Since the morning of September the 11 th , we have known that the war on terror would require great sacrifice, as well. Each of these men and women left grieving families and loved ones back home. Each of these heroes left a legacy that will allow generations of their fellow Americans to enjoy the blessings of liberty.

And each of these Americans have brought the hope of freedom to millions who have not known it. We owe them something. We will finish the task that they gave their lives for.

We will honor their sacrifice by staying on the offensive against the terrorists, and building strong allies in Afghanistan and Iraq that will help us win and fight — fight and win the war on terror. Like the previously quoted phrases by Adama, this speech fits into a long line of discourses recognizing and trying to justify the death of soldiers for the nation Interestingly enough, the speech was poorly received by the press — a clear sign that after more than two years support for the war was fading.

This is the fight of all who believe in progress and pluralism, tolerance and freedom America went to war in Afghanistan because it had been attacked and America went to war in Iraq because it might be attacked. Continuing where the mini-series left off, the main cast all returned to reprise their roles. Several new characters were introduced, and Richard Hatch, who played Captain Apollo in the s Battlestar Galactica TV series, also appeared in several episodes as Tom Zarek, a former political terrorist who later becomes part of the new Colonial government.

An edited version of the pilot miniseries was aired on NBC on January 9, , five days before the Sci-Fi series premiere. NBC also aired three selected first season episodes to promote the show in advance of the second season premiere in July The series ultimately ran for four seasons between and The second season was split into two halves screened several months apart. Due to production delays caused by the — Writers Guild strike, the fourth season was also split into two parts, with a seven month hiatus in between.

The series has won widespread critical acclaim among many mainstream non-genre publications. Time and New York Newsday named it the best show on television in Battlestar Galactica: Razor is a television movie produced and broadcast in the gap between Seasons 3 and 4 of the re-imagined series.

Razor is also technically the first two episodes of Season 4 though it chronicles events on Battlestar Pegasus in two time periods, both of which are "in the past" with respect to the Season 4 continuity.

The "present day" framing scenes are set during Lee Adama's command of the Pegasus in the latter half of Season 2, while "flashback" scenes depict Helena Cain's command in the period between the Cylon attack shown in the mini-series and the reunion with the Galactica in the second season. An expanded version of the movie was released on DVD on December 4, The first set of webisodes were a series of shorts produced in to promote the third season of the re-imagined show.

Made as an "optional extra" to Season 3, the webisodes filled in some of the events between the second and third seasons and featured some of the main cast, though did not reveal what would happen in the beginning of Season 3, nor was viewing them essential to follow the story of the third season.

Each of the ten webisodes was approximately three minutes long, and they were released twice a week leading up to the U. Season 3 premiere in The Razor Flashbacks were a series of seven webisodes produced in Set some 40 years earlier during William Adama's fighter pilot days during the later stages of the First Cylon War. They were released on the Internet as "webisodes" leading up to Razor's release. The installments that did not make the final cut include 1, 2, and the latter half of 7. In May , a set of 10 webisodes were announced to be in the works which were released during the seven month hiatus between episodes 10 and 11 of Season 4.

Again, viewing of the webisodes was optional prior to the second half of Season 4. In August , the Sci Fi Channel officially announced the production of a two-hour TV movie which was planned to air after the final episode of the series in The movie began production on September 8, Written by Jane Espenson and directed by Edward James Olmos, The Plan storyline begins before the attack on the 12 colonies and shows events primarily from the perspective of two Cylons, Cavil and Anders.

The only "Cylon" actor not present was Lucy Lawless although previously filmed footage of her was included. Caprica is a prequel television series to the re-imagined Battlestar Galactica. It premiered on Syfy formerly Sci-Fi on January 22, , and was described as "television's first science fiction family saga". It was originally a two-hour back door pilot for a possible weekly television series, but on December 2, , Syfy gave the go-ahead to expand the project into a full, episode series.

Caprica is set on the titular planet, some 58 years before the events of Battlestar Galactica. The show revolves around two families, the Adamas and the Graystones, and the creation of the Cylons. On October 27, , Syfy canceled Caprica due to low ratings. The final five episodes were aired in the US on January 4, though they had aired a couple of months earlier on the Canadian network Space.

Trick or Treat! From Battlestar Wiki, the free, open content Battlestar Galactica encyclopedia and episode guide. Namespaces Page Discussion. More More Languages. Page actions View View source History. For information on the "Re-imagined" miniseries and regular series of the same name, see Battlestar Galactica RDM. Shortcut : TOS. Starlog : TV Interview backup available on Archive. Retrieved on 30 April Adams, Fantastic Films magazine defunct , issue 29, June Reprinted on website Kobol.

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