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Being the son of a successful Hollywood producer, Schulberg had an insider's viewpoint on the true happenings of Hollywood, and his literature and film reflected this. His most famed writing What Makes Sammy Run? This novel was criticized by some as being self-directed antisemitism. In , Schulberg published The Disenchanted , about a young screenwriter who collaborates on a screenplay about a college winter festival with a famous novelist at the nadir of his career.

The novelist who was then assumed by reviewers to be a thinly disguised portrait of Fitzgerald, who had died ten years earlier is portrayed as a tragic and flawed figure, with whom the young screenwriter becomes disillusioned. The novel was the 10th bestselling novel in the United States in [9] and was adapted as a Broadway play in , starring Jason Robards who won a Tony Award for his performance and George Grizzard as the character loosely based on Schulberg.

In , Schulberg wrote and co-produced with his younger brother, Stuart the film Wind Across the Everglades , directed by Nicholas Ray. Schulberg wrote the film A Face in the Crowd , based on the short story in his book Some Faces in the Crowd, starring newcomer Andy Griffith in which an obscure country singer rises to fame, and becomes extraordinarily manipulative to preserve his success and power.

Schulberg encountered political controversy in when screenwriter Richard Collins, testifying to the House Un-American Activities Committee , named Schulberg as a former member of the Communist Party. Schulberg was also a sports writer and former chief boxing correspondent for Sports Illustrated. He wrote some well received books on boxing including Sparring with Hemingway.

In , after a devastating riot had ripped apart the fabric of the Watts section of Los Angeles, Schulberg formed the Watts Writers Workshop in an attempt to ease frustrations and bring artistic training to the economically impoverished district. In Schulberg wrote "Moving Pictures, Memoirs of a Hollywood Prince", an autobiography covering his youth in Hollywood growing up in the '20s and '30s among the famous motion picture actors and producers as the son of B.

Schulberg , head of Paramount Studios. Schulberg was married four times. In , he married his first wife, actress Virginia "Jigee" Lee Ray. All that crazy speculation, people buying stuff they didn't need, with money they didn't have. And all the fat cats repeating 'Business is fundamentally sound.

It pre-dates my time on goodreads, back when I only kept a little notebook to jot down interesting titles. It languished on my virtual shelf for so long. It's fucking amazing. Oct 20, John rated it really liked it. This is a wistful fictionalized account of the author's real life encounter with F. Scott Fitzgerald. As the book begins, alcohol has depleted the Fitzgerald character's talent, and he has lost his will to really produce good work.

This is a cautionary tale: Guard the talent you have; don't compromise it for anything. Exceptionally good. Not perfect, of course, and rather loose and shaggy at times, but a real joy to read.

Burgess has it on his list of 99 best Novels. The protagonist, novice screenwriter Shep, both idolises and loathes his literary idol, Manley Halliday, and his ambivalence gives the story its terrific emotional tension.

This extraordinary book may well be the great American novel that not enough people know. Funny, brilliant, devastating, exhilarating, and, ultimately, intensely cruel in a realistic and sad way, The Disenchanted is also wonderfully written, with bravura and style. It is the portrait of a former genius writer who, after having lost his golden touch, his This extraordinary book may well be the great American novel that not enough people know.

It is the portrait of a former genius writer who, after having lost his golden touch, his celebrity status, his money, his wife, and his former glory, tries desperately, and vainly, to salvage his reputation and to re-conquer some kind of professional luster by working as a screenwriter for Hollywood.

But, defeated by self-destruction, alcohol, nostalgia, and, most of all, by a Hollywood machine that is as infuriating and debilitating in the thirties as it is now despite whatever love we may feel for the movies of the Golden Age , his road to recovery is a complete disaster.

The whole story is seen through the eyes of an admirer and disciple who witnesses, powerless, the demise of his idol — and lets us watch it too. What makes this magnificent book about failure, and the other side of the American dream, acutely real is that it is inspired by the fate of Scott Fitzgerald, and by the experience that Schulberg had working with him.

It is infinitely sad. But never has the implacable world of Hollywood been described so powerfully, and rarely have the torments and fall of a writer been portrayed with such psychological depth and intensity. View 2 comments. Jul 27, Ryan rated it really liked it. Praise to Allison and Busby for reprinting this neglected classic in Britain. Budd Schulberg achieved fame for writing On the Waterfront. As a young man, he idolised F. Imagine how he felt when, as a young writer in Hollywood in the s, he was partnered with his hero to work on film scripts.

But there were problems. Some were generational 30s blue collar radicalism vs 20s hedonism. Some, the most profound, were personal: Schulberg learned the hard way that meeting your hero Praise to Allison and Busby for reprinting this neglected classic in Britain.

Some, the most profound, were personal: Schulberg learned the hard way that meeting your hero - especially when he's become a gonzo alcoholic and 'spiritually OD' - isn't always best. He found that he was entranced even as he was repelled. That ambivalence forms the core of this novel, and breathes life into its pages. A record of disenchantment, it does not despise wonder, and it is fair. This is not only a brilliant semi-biographical novel about F. Scott Fitzgerald but it's also one of the best novels ever written about Hollywood.

Nov 08, Rayrumtum rated it it was amazing Shelves: fiction. A young screen writer in Hollywood is tasked to work on a screenplay with a former literary giant he has long idolized. The giant is on the decline as he is wracked with alcoholism and lives in the world of his past. It shows the ravages of alcoholism. Every time he tries to pull himself together, he falls deeper and deeper into failure.

The book is based on Schulberg's own experiences with F. Scott Fitzgerald, so it is very thinly disguised non-fiction. I have long admired Schulberg's novels, e A young screen writer in Hollywood is tasked to work on a screenplay with a former literary giant he has long idolized. I have long admired Schulberg's novels, especially What Makes Sammy Run, but this was at the pinnacle. If you're a Scott Fitzgerald fan, here's the story of a young screenwriter Schulberg, the viewpoint character who is paired with the author of Gatsby to go on a trip to Dartmouth to write a trivial picture called Love On Ice.

This book taught me the fundamentals of story-telling; I can't recommend it highly enough. Jul 08, M. Dowsing rated it it was amazing. This is the fourth book I've read by Budd Schulberg this year - he's become my new favourite author. This novel is based on his own experiences as a young screenwriter in Hollywood collaborating with F. Scott Fitzgerald, who's fictionalised here as "Manley Halliday". It's a superb portrait of a great writer on his uppers, tragic and comic by turns, and Schulberg wrings a surprising amount of suspense from the question of whether the two writers will actually get round to writing a script as his a This is the fourth book I've read by Budd Schulberg this year - he's become my new favourite author.

Jul 02, Andy rated it liked it Shelves: fiction. For a book that basically takes place over the course of a week this seemed really long. It should have been about pages shorter. Depressing, but interestingly so. I'll never be able to think of F. Scott Fitzgerald in a glamorous light again. Jun 28, Louise Broadbent added it. I did enjoy the flashback scenes much more, I guess someone getting drunk and someone else vaguely trying to stop them from getting drunk gets repetitive very quickly.

Perhaps if the female characters had had a bit more pagetime, that would have redeemed it somewhat for me. They did seem very much as extras, though, which, to me, felt unfair to them.

Apr 13, Richard Block rated it it was amazing. Drawing on his movie studio knowledge, Schulberg created the story of F. Scott Fitzgerald inspired Manley Halliday's final days. Young Shep the Budd character is paired with the ageing superstar of the 's to write a college ice movie Love On Ice for the pretentious producer Victor Milgrim. Manley is a diabetic drunk and his fatal frolics in pursuit of cash drag him to an untimely end.

Schulberg could really write, as Anthony Burgess said in his preface to On the Waterfront, and The Disenchanted is a proper literary novel, full of fine, imaginative prose. It is far better than OTW and his later work - which are all good, readable stuff, but not on this level. This is a shame - it is unlikely he was a spent force when he abandoned this type of novel writing. It may be predictable at times, but it is human, moving and imaginative throughout.

Amazing how old stories or "classics" have a way of being relevant no matter the era. Without giving an spoilers, this book can simply describe the current social media, Instagram, YouTube, etc craze. The book takes place in the roaring 20s and the depression of the 30s. The author gives you two narrators from different generations, but both with important perspectives. Sporadic vs Steady.

I'm not a fan of "live fast, Amazing how old stories or "classics" have a way of being relevant no matter the era. I'm not a fan of "live fast, die young" mentally and would prefer sustainability. Some people might use the phrase "peaking" to describe a characters highs and falls but I think this sheds light on ongoing problem our society has.

What happens after I reach the top the "mountain"? Overall, this is a good read and not anything profoundly new. It's just a reminder of how we can learn from the past to understand our current times. I'm not sure if there's a correct way to live your life and maybe life itself needs both in order for it prosper.



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